Impulsive or ingenious?
This is the question fans found themselves asking late at night on March third, as Grammy winning artist Kendrick Lamar dropped his latest album; untitled unmastered.
This eight-track, 35 minute set begins in a bedroom. Soul jazz plays low, setting a smoky mood over the sounds of foreplay and dull laughter.
The track is southing, sexy and calm, until Lamar takes the mood to a screeching halt just before the two-minute mark. The listener is then jolted from what is expected into Lamar’s masterful world of “death faces screaming in agony,” “atheists” and “trains jumping off the track.”
Since the 2012 release of good kid M.A.A.D. city, Lamar has been mixing politics into his beats and shaking up the statue quo. His Grammy winning album To Pimp a Butterfly took the world by storm with confrontational hits like “The Blacker the Berry,” and “King Kunta.”
He is known for bringing some of today’s biggest social issues into speakers all over the World with fearless rhymes and bold statements. Lamar is provocative, controversial and blunt, but if you were expecting this unexpected album to pack the same social punch that his last two have you will be disappointed.
Untitled unmastered is a compilation of odds and ends. It’s funky, smooth and modernly soulful. While it doesn’t bring the same level of activism to the table that his former albums have, there is a beauty to it that makes it intoxicating.
This album is intimate. It is an eight-song glance into Lamar’s craft. If good kid M.A.A.D city and To Pimp a Butterfly were expressions of social grievances, untitled unmastered is an expression of Lamar’s groovier alter ego.
It reveals a softer side if the young rapper than his previous compilations haven’t, but don’t be fooled, Lamar still manage to weave his social two-cents into the mix even if disguised by jazzy vibes and soul beats.
Lines like “Preacher’s touchin’ on boys run for cover,” in track one; an ode to the strengths and weaknesses of each race in America in track three; and his address to the effect of fame in the brain in track seven remind us that this Compton native isn’t just spitting rhymes, he’s provoking change.
Is this new release the same culture shattering mix that Lamar has brought us in the past? No, but it is hot nonetheless.
It is an intimate glimpse into another aspect of his masterful mind, and a reminder that Kendrick Lamar can switch it up any day and in any way – because whether he’s commanding social change or simply dropping beats to groove to, we’ll be listening.